RED cameras convince with overwhelming resolution and image quality. The helium sensor offers up to 17 times more resolution than HD and more than 4 times more than 4K! The DSMC2 BRAIN enables a write speed of up to 300MB/s and can record REDCODE RAW and Apple ProRes or Avid DNxHR/HD simultaneously. As with its
The RED EPIC Mysterium-X 5K Digital Cinema Camera with its 5K sensor delivers up to 120fps at full resolution and up to 300fps at 2K. The camera masters even difficult lighting conditions with its unique 18-aperture dynamic range with HDRx. The 2.3kg lightweight BRAIN allows use in small spaces, handheld gimbals and drones.
The new Sony Alpha 7R III offers improved resolution, sensitivity, dynamic range and processing speed over its predecessor. You can capture up to 10 fps with a resolution of 42.4 megapixels in an even larger ISO range with even less noise.
The 633 is the ideal choice when maximum flexibility is required without compromising recording or mixing functions. The compact 633 field mixer with integrated 10-track recorder offers six analog inputs and two powerful auto mixers (Dugan and MixAssist™), recording to SD and CompactFlash memory cards. The compatibility with the “Wingman Bluetooth Dongle” for use with
The Sound Devices 302 is the most compact and cost-effective battery-powered professional audio mixer in its class. The controls are accessible on the three main panels, with power supplied either by three internal AA batteries or external 5-18 VDC.
As the predecessor of the H6, the H4n has been a faithful companion for sound recordings for many years. In addition to the two XLR/Line inputs, a built-in X/Y stereo microphone provides a simple and reliable way to record lifelike stereo sound.
Very compact, universal shotgun microphone. Suitable for use in feature films and documentaries as well as for outdoor recordings, interviews and studio productions. It is characterized by its lifelike sound and its excellent off-axis linearity. The CINELA Suspension, specially manufactured for the 8060, guarantees good sound even in situations with a lot of movement.
Like the NTG1, the NTG2 offers the best prerequisites for use in the film sound sector. It can be powered by either an AA battery (1.5V) or P48 phantom power, which is supplied by professional cameras, audio recorders and external power supplies. Battery operation is suitable for using the NTG2 with a digital SLR camera
Transmitter SK Light and robust, this pocket transmitter fits easily into any abdominal belt or simply clipped to the belt. With an AF frequency response of 25 to 20,000 Hz, it transmits low frequencies with a solid foundation. Three HF output powers) are available, for a higher range or more channels per frequency range. Receiver
Transmitter SKP Suitable for any wired microphone, the SKP plug-on transmitter can be combined with the EK 2000 receiver. Five frequency ranges with up to 75 MHz switching bandwidth provide optimal flexibility as with all components of the 2000 series. The synchronization of the transmitter settings is also possible with the SKP 2000 simply and
The Blackmagic Production Camera 4K comes in an incredibly small format. You have the possibility to record RAW-CinemaDNG and ProRes file formats.
The QXS series of booms offers the highest flexibility and reliability in the often hectic daily routine of film production. Consisting of 4-5 segments, the rods can be extended to long lengths if required despite their compact transport dimensions. Available from us in 4 different maximum lengths of 1.45 m, 2.75 m, 3.20 m, 6.20
When a lightweight and compact Fresnel spotlight is required, the ARRI D12 is a top choice. The 1200W HMI lamp uses ARRI True Blue technology.
The 800W artificial light lamp is also available in a practical set with three lamps in a case.
